7:30 - Doors
8:00 - Ryan Culwell
9:00 - Uncle Lucius

$25 - Advance / $32 - Day of

Uncle Lucius

In September of 2024 Uncle Lucius released Live from Ear Studio. Recorded live to tape at Ear Studio in Austin, TX the record features select singles from their latest LP Like It’s The Last One Left plus three covers: “Bertha” by the Grateful Dead; “Shadow People”, a Tom Petty and the Heartbreakers staple and “Just To Satisfy You” made popular by Waylon Jennings & Willie Nelson. 

Uncle Lucius has long been known for their unique blend of roots rock & roll and country soul. Since adding heavyweights Doug Strahan (guitar) and Drew Scherger (bass) to the fold, the band has expanded its palette, exploring new musical landscapes and reveling in the power that comes from following sonic avenues, without prejudice, wherever they lead. The results onstage speak for themselves. 

During the years following the band’s farewell tour in 2018, their audience continued to organically grow, highlighted by the placement of their song “Keep the Wolves Away” in an episode of Yellowstone and its subsequent  RIAA gold and platinum certifications. After a few years on hiatus – with a fresh outlook and a deep well of new ideas – the band members began to shake off their collective rust and blueprint songs that mirrored their career and current status, hitting on themes of resolve and resilience. The band released their first album in 8 years Like It’s The Last One Left last December via Thirty Tigers / Boo Clap Records.  Since their comeback the band has toured consistently around the world and recently the 2nd single from Like It’s The Last One Left, “All The Angelenos”, hit #5 on the Texas Radio Charts.

Ryan Culwell

Walk around throwing punches everywhere and you’ll earn yourself an almighty ass whooping. Keep your hands in your pockets all day, though, and you’ll start to feel like you’ve already whooped your own. It’s a paradox that Ryan Culwell finds himself wrestling with frequently on his extraordinary new album, Run Like A Bull. Recorded with longtime collaborator Neilson Hubbard (Mary Gauthier, Kim Richey), the collection is raw and magnetic, cutting close to the bone as it searches for a middle ground between release and restraint, recklessness and responsibility. Culwell faces down his own worst instincts here, grappling with weighty, existential notions the way Flannery O’Connor might, conjuring up images of alternating beauty and brutality set against a distinctly American backdrop. “We all laugh when a young calf struggles to his feet,” Culwell sings in his gritty rasp. “When an old bull falls down on his ass I guess it ain’t so sweet.”

Born and raised in the Texas panhandle, Culwell earned widespread acclaim with his first two albums, 2015’s Flatlands and 2018’s The Last American, which prompted Rolling Stone to hail his writing as both “gorgeous and bleak” and NPR to rave that his songs “wring grace from plain and often dark details.” The music earned Culwell dates with Patty Griffin, Billy Joe Shaver, Hayes Carll, Patrick Sweany, and Ashley Monroe among
others, alongside a full calendar of his own headline shows around the country and millions of streams across platforms.