Mike and The Moonpies w/ Brit Taylor/ Willie Tea Taylor & The Turkey Buzzards

5013 288th Ave

Maquoketa, IA 52060

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Sun, Jun 25 8:00 pm - 11:00 pm

(Entry at 6:00 pm)

Age restriction

All Ages+

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No refunds at any time.

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Event info

MIKE AND THE MOONPIES
 For a band that regularly plays 250 shows a year, there's nothing like coming back home.

 

     ‘One To Grow On,’ the eighth studio album from Mike and the Moonpies, is a musical homecoming that returns the group to its roots as a working man's country band. Layered with Telecaster twang, honky tonk harmonies and lyrics that highlight the Everyman's struggle to remain optimistic during a 9-to-5 world, this is organic music for dance halls and car stereos—a soundtrack for the mid-week blues, shot through with weekend energy.

 

     "I wanted to create a record you could crank loudly in your truck on Friday afternoon at quitting time," says frontman Mike Harmeier, who wrote ‘One To Grow On’ in his backyard studio on the outskirts of Austin. "To do that, I developed a narrative and a central character. It's a guy who's working hard to make ends meet, all while living in the moment and hoping to stay appreciative of the things he has. A guy who takes pride in what he does but is still searching for a balance in his life. There are a lot of similarities between him and me.

 

     "For more than a decade, Harmeier and his band of hard-touring road warriors—pedal steel player Zach Moulton, guitarist Catlin Rutherford, bassist Omar Oyoque along with new drummer Taylor Englert —have traveled far beyond their Austin homeland, flying the flag for homegrown Texas music in more than a dozen countries. They've become global ambassadors of a blue-collar country sound, striking a balance between timeless influences and cool, contemporary appeal. Along the way, they've stretched their legs, following the breakthrough success of 2018's Steak Night at the Prairie Rose with records like 2019's Cheap Silver & Solid Country Gold (an album inspired by the classic countrypolitan hits of the early 1970s, recorded at Abbey Road Studios with help from the London Symphony Orchestra) and 2020's Touch of You: The Lost Songs of Gary Stewart (a collection of nine unreleased songs written by the honky-tonk hero).

 

     When the COVID-19 pandemic brought the Moonpies' busy schedule to a halt, Harmeier found himself back home in Austin, inspired to return to the sound that had launched his band's career. He didn't need to look far for ideas.

 

     "I have an old, square-bodied Chevy pickup from 1985," he says. "My dad had the same one. I used to work with him as an electrician when I was younger, and I started thinking about my dad, my grandfather, and the original owner of that truck. I thought about the kids I grew up with. Everyone I know who isn't a musician is working construction.They're putting one foot in front of the other and trying to appreciate the moment they're in, while basically working 24/7, 365. A lot of people live their lives that way, and they inspired me to write a working man's story.

 

     A working man himself, Harmeier headed to his backyard studio, where he used his free time to his advantage. He wrote. He revised. He sent ideas to his producer and bandmates, who helped mold and modify the songs from their own home studios. What emerged was a sound that split the difference between 70s southern rock and 90s country, with twin guitar leads and earthy storytelling. ‘One To Grow On’ took shape during those months of isolation—months that found all of the Moonpies collaborating remotely, remaining active even while in quarantine.

 

     "We'd never had that kind of time on our hands before," Harmeier remembers. " I would develop the character as far as I could then send it to our producer [Adam Odor] for even more rewrites and then finally to the band for their input. They got to know the material long before we went into the studio. They got to know the album's central character, as well, and they wrote instrumental parts to convey the consciousness of that guy.

 

     "Co-produced with longtime collaborator Odor and recorded at Yellow Dog Studios in Wimberley, Texas, ‘One To Grow On’ kicks off with "Paycheck to Paycheck," an anthem for hardscrabble living. Driven forward by fiery fretwork, breakneck tempos, and vocal harmonies from Shiny Soul Sisters' Alice Spencer and Kelley Mickwee, the song serves as a primer for what's to come—the wild west atmospherics of "Whose Side Are You On," the greasy funky-tonk of "The Vein," and everything in between. Shooter Jennings makes a pair of appearances, playing synthesizer on songslike "Social Drinkers," while former Moonpie John Carbone returns to the fold to play keyboards throughout the album. Three members of fellow Texas-based outfit Quaker City Night Hawks join the band on "Burn Out," an autobiographical country-rocker that closes 'One To Grow On' by focusing not upon the character Harmeier has created, but upon the narrator himself.

 

     "I knew I was writing a character-driven record, but I wasn't sure who he was until we finished," says Harmeier. "He's a bit of me, a bit of my father, and a bit of my friends. He's the Everyman. He's everyone I know, and everyone I don't know."

Brit Taylor

 

When hard times come calling, they don't tap at the door to be invited in. They barge straight in and wreak havoc. Just ask Singer/Songwriter Brit Taylor who found her idyllic life suddenly turned upside down, and she was left in a downward spin. It was a new feeling and a scary one. But she called on her upbringing, her faith and her family for strength, and she dug herself out with grit and determination and music.

Capturing life and pain with poetic ease and plain honesty is what the emerging Americana sensation does well. Brit writes and sings about what she lives, what she knows. Real Me, her debut album being released November 20, is a self-reflective, 10-song LP telling of a journey to self-awareness. The aptly titled album has a unique vulnerability that is both empathetic and empowering.

Produced by Dave Brainard, the album is mindfully crafted to capture Brit's pure authenticity and her Eastern Kentucky roots. By blending twangy guitars, crying steel, emotional lyrics and sultry vocals, Real Me redefines traditional country music.

Brit knows you can't fake authenticity. Real Me reflects her story and, in some way, it is everyone's story.

"It took me 30 years to figure out who the real me is," Brit said. "I'm glad I found her."

Her four early-release singles from the album have earned positive reviews from numerous outlets including Rolling Stone, Billboard, American Songwriter, Music Row and others. All songs have found their places on playlists from Spotify, Apple and Amazon, including Spotify's Pulse of Americana, Emerging Americana, Indigo and New Nashville. Taylor has been voted No. 2 on the CMT 12-Pack Countdown and the No. 2 most added album on AMA/CDX Radio Chart, tying with Waylon Payne.

With her "luscious alto tone" (American Songwriter) and "her "steel guitar-drenched, laid back" sound that "hits traditional country notes" (Billboard), Robert K. Oermann of Music Row praised her "liquid alto singing voice, with bright teardrop accents." "I am smitten," he wrote. "Send more."

From her first single release, "Waking Up Ain't Easy," which shared her journey through depression as her life crashed around her, to the album's title song, "Real Me," an awareness of knowing her true self and having the guts to expose it to the world, the album borrows from her roots and blends it with a 21st Century vibe to create her unique sound.

It was the mess of her life that provided her with a personal and professional break-through.

Life started out like a dream.

Born in Eastern Kentucky where the famed Country Music Highway 23 slices through the mountains, Brit grew up surrounded by music -- and idols -- that she loved. Chris Stapleton, Loretta Lynn, Tyler Childers, Dwight Yoakum, Patty Loveless, The Judds, and so many more. It was a place that gave birth to her dreams and opportunities to reach them.

From her debut on the Kentucky Opry as a seven-year-old, music has been a natural part of her life. It wasn't really the stage she loved or the fans' love for her that she craved; it was the singing and the songs. For 10 years -- from elementary school through high school, the small-town girl learned and performed on the Kentucky Opry stage every weekend though the summers and Christmas seasons. It was the life she wanted.

Following high school graduation, she packed her bags, her black Karate belt, her dog and her dreams which had become goals, and she travelled that famed Music Highway out of Kentucky and into Tennessee.

She went to work. In her first five years in Tennessee, she not only earned a college degree, she turned a music business internship into a four-year publishing contract with CALIV Entertainment, later Spirit Music Group. It was there, during those next four years, where Brit co-wrote with some of the top names in the business and where Brit and her band wrote and released an EP and toured the United States. She also married the love of her life and bought a mini-farm, firmly planting her roots in Tennessee.

Everything seemed to be going great until suddenly it wasn't. There was the divorce from a person who was less committed to marriage than she was, the death of her beloved dog, a car break down, the bank wanting her house and the break-up of her band. While it might have made great lyrics for a country song, it made for a hard winter of living for Brit.

With those dreams turned goals still firmly in place, Brit looked deep inside her soul and knew it was time to create the kind of music that was honest to her. Without looking back, she started anew, leaving her publishing deal, her band and her marriage behind.

It took real courage. Forming a small business to pay the bills and feed her mini-farm menagerie of dogs, cat, goats and chickens, Brit was able to become her "real me," reaching into her heart to create the lyrics and the sounds that reflect who she is.

Just a few months after leaving her publishing deal and just enough time to start wondering if she had done the right thing, Brit found her answer. She was given an opportunity to write with hit songwriter and rock-star Dan Aurbach. "It was incredible," Brit said. "We wrote eight songs in two days. Dan didn't try to make me sound like anybody else, he just let me be me. That was the kick of courage I needed to make my record my way."

Five of the songs they wrote are on Brit's highly anticipated album Real Me, coming out this month.

In a world where authenticity is often traded for marketability Brit is bravely standing out as her own self. Her marketability is the timelessness of her sound and the honesty of her lyrics. She is putting her new spin on traditional country music.

"I think it's really hard to be authentic in this town," Brit said. "As artists, we all struggle with feelings of insecurity, we all want to be a success story. So we wonder if we need to change our look to fit what's in; we are encouraged to change our sound to satisfy radio and at the same time we are told we should strive to be unique and stand out from the crowd. You can't fit in and stand out at the same time."

It isn't an easy path to navigate, but Brit learned that the best GPS was her inner self. Today, the power of her music is that it is refreshingly simple yet surprisingly complex. Always true to herself, Brit Taylor continues to tells stories which manage -- whether they are dramatic, humorous or heartfelt -- to be downright honest.
WILLY TEA TAYLOR
There is no question that Willy Tea Taylor’s life as a singer/songwriter was predetermined – his role realized the moment he wrote his first song. His inspirations drawn from two separate wells; Living the life of a cattleman’s kid and experiencing true visionaries music like Greg Brown, John Hartford, and Guy Clark. The image of Guy Clark and friends sitting around the kitchen table loaded with ashtrays full of butts, half-smoked cigarettes, food, and booze on one Christmas Eve in 1975 burned into Taylors’s soul. Those guys, swapping songs without pretense, lit Willy Tea’s fire. And ever since, its led purpose with passion – finding a hang by curating relationships through musical friendships that get him closer to his own Clark style kitchen table.

From his early days co-fronting The Good Luck Thrift Store Outfit, to singing solo in countless cowboy bars, to pitching countless wiffle ball games, Willy Tea has never lost the vision. Now Willy Tea Taylor has taken his vision of the “hero hang” on the road. and his talented traveling band The Fellership is made up of his fantastically talented buds who play Willy’s songs with a brand of reckless abandon and utter humility that spits in the face of pretense. The way The Fellership plays Will’s songs is the way they demand to be played and, in their short time together, they have been awe-ing every audience lucky enough to see them.
 THE TURKEY BUZZARDS
THE TURKEY BUZZARDS
"Much like the duo themselves, the songs range near and far, from the sticky humidity of the Carolinas to the arid and dusty cellars of the West, telling stories of simplistic beauty that unravel through gritty vocals and thoughtful harmonies. The bare authenticity of each song sweeps up the listener for a ride that might wander but will certainly not end in the same place where it began." The Turkey Buzzards are currently finishing a third album and will be touring the US Spring and Summer.

 

Vocals, Guitar / Dylan Nicholson
Bass, Vocals / Eric Patterson