Experience the Passion of Blues Firebrand Eric Gales on the Silverados Outdoor Concert Stage on Friday, August 26th. Opening Act Andrew Scotchie and the River Rats. This is a "don't miss" show!
Tickets (All Ages Show)
$30 (advance) / $37 (day of show)
TICKETS ON SALE FRIDAY, 4/1/22 at 10am
SILVERADOS - 2898 US HWY 70, BLACK MOUNTAIN, NC 28711
EVENT INFO:
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WEATHER: Rain or shine - No refunds will be issued due to inclement weather. Ponchos are allowed, Umbrellas are not. Ponchos are available for purchase.
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PARKING: Parking is available next door to Silverados in the grass lot in front of Grove Stone Baptist Church. Parking $10 (Cash or Card, Purchase parking at the lot.) Managed by Wayne Pressley Enterprises - (828) 545-8103
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UBER/LYFT is also a good choice.
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TAKE THE BUS: Silverados is on the public bus route.
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THE GOOD STUFF: Food trucks and full bar service available onsite. Outside food & beverage is not permitted.
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SEATING: Festival Style General Admission - we have 400 folding chairs, first come first served. Feel free to bring your favorite camping chair to enjoy the show.
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BAGS: Only small personal clutch purses (1.5 in x 8 in or smaller) are allowed and are subject to search at any time.
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GUEST SAFETY: No Weapons of any kind allowed on the property. Metal Detectors will be at the gates to ensure the safety of all guests.
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REFUNDS: Refunds only issued in the event of a cancellation.
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COVID: All current North Carolina and Local COVID-19 protocols will be followed.
Laying Down a Little Intel about Eric Gales
Eric Gales is a blues firebrand. Over 30 years and 18 albums, his passion for the music and his boundless desire to keep it vital has never waned, even when his own light dimmed due to his substance struggles. Throughout it all, he continued to reinvigorate the art form with personal revelation in his lyrics and bold stylistic twists in his guitar playing and songwriting.
Five years sober, creatively rejuvenated, and sagely insightful, Eric is ready for the fight of his career. Aptly, he calls his masterful new album, out January 2022 on Provogue/Mascot label Group, I Want My Crown. Here, Eric opens like never before, sharing his struggles with substance abuse, his hopes about a new era of sobriety and unbridled creativity, and his personal reflections on racism. The songs are delivered with clarity and feature Eric’s personal experiences and hope for positive change. In addition, the 16-track collection boasts his finest singing, songwriting, and his signature guitar playing that burns throughout. Produced by Joe Bonamassa and Josh Smith, this is Eric at his most boldly vulnerable, uncompromisingly political, and unflinchingly confident.
I Want My Crown was forged in tragedy but rises triumphantly. The day before Eric left Greensboro, North Carolina to Los Angeles, California to work with Joe and Josh, he heard the news about the George Floyd murder. As a Black man in America, he had a lot on his mind when he touched down in Music City to write songs for I Want My Crown.
“What made George Floyd any different than me?,” Eric asks. “As I began to chat about this to Joe and Josh during preproduction, raw and unnerved emotion came out of me, and Joe furiously scribbled down notes about it all. These songs came from those outpourings. They’re about my life, and what’s happening in the world right now. When it came time to sing, I had to take breaks between vocals to cry and let it out. I was sharing my experiences as a Black man, and my private struggles. This is me letting the world know what I’ve been through.”
Since 1991, the Memphis-born guitarist has blazed a path reinvigorating the blues with a virtuosity and rock swagger that have him being heralded as the second coming of Jimi Hendrix. He was a child prodigy with bottomless talent and fierce determination, and at just 16 years-old released his debut, The Eric Gales Band, on Elektra Records. He’s earned high praise by guitarists’ guitarist and household name axe men such as Joe Bonamassa, Carlos Santana, Dave Navarro, and Mark Tremonti. In addition, he has held his own with some of the greatest guitarists in the world, including Carlos Santana at Woodstock 1994, Zakk Wylde, Eric Johnson, and a posse of others as a featured guest touring with the Experience Hendrix Tour.
The story behind I Want My Crown dates back to the early 1990s when as teenagers Eric and Joe were both hailed as blues wunderkinds and torchbearers. Eric is three years older than Joe, and Joe used to open for Eric. The pair went on to very different lives and careers, but Eric’s full potential was hampered by his substance abuse issues. “While I was dealing with my affliction, Joe’s career skyrocketed. I put myself in the backseat through my drug addiction. The world knows me, but the world doesn’t know me,” he says. In 2009, Eric hit bottom and served jail time at Shelby County Correction Center for possession of drugs and a weapon.
Eric and Joe reconnected grandly in 2019 when Joe invited Eric to play with him onstage at a blues cruise encore performance. It was the first time the guys had played live together onstage in 25 years, and it has since been named one of the most explosive guitar duels ever, amassing over 3 million plays on YouTube.
“There was always a brotherhood with us. When we reconnected, Joe said to me, ‘You’re a badass guitarist; it’s your turn to get your seat at the table to wear your crown’,” Eric recalls. Shortly after their iconic face-melting jam, Eric approached Joe to produce him. Eric reveals: “We cried when we talked about it, he said ‘you have no idea how long I waited for you, now I am going to do my part to lift you where you’re supposed to be.’” I Want My Crown finds Eric stepping up to receive his due.
The record is eclectic but cohesive. With assured and authentic artistry, Eric conjures the expanse of the blues, rock, and beyond. The album bursts open with the supercharged “Death Of Me.” Here, Eric is out for blood, summoning Hendrix and futuristic and electrified Delta blues in an imaginatively arranged song that boasts sprays of fusion and blues-influenced soloing. On the horn-punctuated soul-rocker, “The Storm,” Eric’s vocals and his message are upfront. He asks the powerful and timely question: how could you love what he does as a musician and guitar player and dislike who he is as a man based on the color of his skin?
The first single off the album, the slinky “I Want My Crown (featuring Joe Bonamassa)”, opens with a fanfare of elegant lead guitar virtuosity before slipping into a funky groove. Here, with playful bravado, Eric sings about finally getting his due while also admitting his self-sabotaging past. Clean and focused with guitar in hand, he eyes the crown, and goes for it, battling powerhouse blues warrior Joe Bonamassa in a Rocky-like epic fight. Triumphant horns spur on the excitement as the pair unleash barrages of jaw-dropping blues-shred with each player’s passages feeling like the final fury of a July 4th fireworks explosion—the climaxes get hotter and hotter.
The smoldering, “My Own Best Friend,” is a self-reflective ballad about loving and respecting yourself to create positive change in your life. The song effortlessly touches on organ-drenched minor blues, soul-jazz, and gospel musicality with unmistakable Eric flair. His solos ease between stinging Albert King minimalism to fluid flights of Eric Johnson guitar fancy.
On “Take Me Just As I Am (featuring LaDonna Gales),” Eric showcases the powerhouse pipes of his wife, LaDonna, and lays into some stanky horn-driven funk behind her. The song is a female song of empowerment. “Black women have it really hard, contending with racism and sexism,” Eric says.
The record’s 16 tracks play out as 13 songs plus 3 instrumental vignettes—and these little jams are gems. Eric touches on the Texas shuffle with the instro “Had To Dip,” mind-melting Hendrix freak out blues-rock on the instro “Rattlin’ Change,” and funky fusion on the instro “Cupcakin’.” The album concludes like a sweaty and celebratory live show with the invigorating outro song, “I Gotta Go.” This percolating James Brown-styled jam showcases Eric and his Swiss-watch-tight band in all its post-show glory, recalling the pageantry of B.B. King’s legendary Live At The Regal with punchy horns and glorious crescendos.
The songs on I Want My Crown were co-written by Eric, Josh, and Joe, and feature contributions from LaDonna Gales, and ace songwriters such as Tom Hambridge, James House, and Keb Mo. The album was recorded at Sound Emporium Nashville, and overdubs were tracked at Ocean Way Nashville, and Earthtone Studios in Greensboro, NC.
The I Want My Crown album journey is exhilarating, and, much like Eric’s life, winds through moments of victory and vulnerability. Along the way, Eric shares his story and his feelings through the majesty of the blues. He says: “When I play, the core is always the blues, and on this album, we go through a theme park of the blues, exploring all kinds of blues. We visit the carousel, the bumper cars, the water rides, the concession stands, and we all come out with smiles.”
And a little knowledge about Andrew Scotchie and the River Rats...
Asheville, NC based, Andrew Scotchie & the River Rats have been revered far wide for their engaging, interactive High-Energy, Funk-ti-fied Rock n’ Roll show. Couple the abilities and in the moment spirit of a jam-band with a punk rock fierceness and energy, and you’ll get a show that will have familiar songs but with a twist that offers a listener something only in that moment. Consistent studio recordings, year round touring from NY to FL and NC to ID, earnest songwriting and sharing bills with such greats as Eric Gales, Futurebirds, Here Come the Mummies, Bob Margolin, Sonny Landreth, Blind Boys of Alabama, Drivin N Cryin, Ghost Light and Bettye Lavette has made Andrew Scotchie & the River Rats one of the industry’s fastest growing Rock n Roll bands, and voted Western North Carolina's best Rock band/all around favorite band since 2015.
More about the band's latest studio release "Everyone Everywhere"...
"...with the group’s latest album, “Everyone Everywhere,” Scotchie & Co. have harnessed the eternal hope and constant growing pains of America — a country still trying to figure itself out with a mirror currently placed firmly in front of itself." - Smoky Mountain News
With two full length releases under his belt, a festival all his own, and his band’s 10 year anniversary approaching, it’s hard to believe that songwriter, guitar prodigy, and event producer Andrew Scotchie hasn’t even hit 30. On his latest studio venture, the Asheville, NC native packs a punch with six new tracks that boast some of the most electrifying arrangements you’ll hear all year.
With heavy themes like corporate greed and inequality prominently featured in the condemnatory track “Funny Money,” more playful tunes like the sweet retro-rock inspired “Natural Romantic” offer listeners a much needed respite from thinking about these turbulent times. An anthem in its own rite, leading single “Stepping Stone” sets the stage for a short yet pungent magical mystery ride of psychedelia, funk, and jam-adjacent rock that is nothing short of enrapturing. The standout “Fear Mongers,” starts with a hardy sample of Charlie Chaplin’s famed “The Great Dictator” speech (which required official approval from the late filmmaker’s rights-holding office in Paris), declaring that “the misery that is now upon us is but the passing of greed” and segues perfectly with Scotchie’s “don’t wait / don’t hesitate / ‘cause the poor man can’t give what the rich man always takes,” artfully encapsulating the current climate.
With such timely social commentary embedded into every track, the new EP could easily be mistaken for a response to the ongoing pandemic, though the album was actually recorded months prior. Still, Scotchie welcomes the serendipity, and encourages his listeners to adopt their own takes on the lyrics, especially when they can be utilized to reclaim hope. Scotchie concludes the album with a universal offering in the title track “Everyone Everywhere,” imploring "Even if you feel lonely / when this world is unkind / call on me, I'm sure you'll find / even when you feel you got nothing / everyone everywhere's got something.