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Description

No Age Limit

Doors open at 6:30 pm

9 days, 23 hours to event

6:30 - Doors
7:00 - Tony Holiday
8:00 - GA-20

$15 - Advance / $20 - Day of

GA-20 

Since 2018, GA-20 has been at the forefront of a traditional Blues revival. The dynamic throwback trio have long been disciples of the place where traditional Blues, Country and Rock ‘n’ Roll intersect. “We make records that we would want to listen to,” says guitarist Matt Stubbs. “It’s our take on the song-based traditional electric Blues we love.” Stubbs, along with guitarist & vocalist Cody Nilsen and drummer Josh Kiggans, strive to bring traditional Blues to the front lines of the modern roots music scene. “The focus for us has always been on the story, the melody, and on creating a mood,” Stubbs continues. “Traditional Country and Soul have all had these massive recent revivals. We want to be part of doing that for traditional Blues music.” 

GA-20 has drawn inspiration for their old-school sounds from the music they love by artists such as Otis Rush, J.B. Lenoir, Howlin’ Wolf, Junior Wells, Hound Dog Taylor, Earl Hooker, Johnny ‘Guitar’ Watson and so many others. Performing with what feels like reckless abandon, GA-20 brings a timeless immediacy to every song they play with a sound that continues to grow and evolve. The band uses vintage instruments and amps to produce their authentic sound, and favours traditional recording techniques, like recording live off the floor together in one room, to help recreate that energy and sonic connection. 

In their short history, GA-20 have been 3x #1 Billboard Blues chart toppers, 4x Boston Music Award winners for Best Blues Act, and have received multiple wins and nominations at the Blues Music Awards, Blues Blast Awards, New England Blues Awards, and have ascended streaming and radio charts at home and internationally. Medium.com has appropriately declared, “This is the kind of music that travels through time while taking from the era where it was born and turning it into something fresh. Dirty and raw…timeless and modern.”

Tony Holiday

There’s something about Tony Holiday that draws people together. In fact, community has been at the core of Holiday’s young career from the beginning. Since relocating from Salt Lake City to Memphis in 2017, Holiday has been at the center of a soul blues revival in Memphis, anchored by a contingent of young, savvy well-schooled musicians with a “family-like” attitude and a strong belief in one another. Mentored by past legends, Holiday and this loose Memphis collective are building on the city’s rich traditions and carrying them forward.

Motel Mississippi, Holiday’s 2nd solo album, was recorded about an hour outside Memphis in Coldwater, Mississippi, at Zebra Ranch, the studio of the late great Memphis legend Jim Dickinson (The Rolling Stones, Big Star). Combining the sounds of North Mississippi Hill Country, Delta Blues, and Memphis soul, Motel Mississippi is equal parts hypnotic blues, driving soul, and juke joint stomper. The album consists of six originals and two covers, “Rob & Steal” by Paul Wine Jones and “Nobody But You” by Asie Payton.

Like with previous projects, Motel Mississippi began as a collaborative effort, this time between Holiday, guitarist/songwriter A.J. Fullerton and guitarist/producer Dave Gross who shared production duties with Fullerton. Rich sonic layers provide a forward-thinking quality to these productions, conjuring up a vibe that’s modern and retro at the same time.

The drone and drive of songs like “Rob & Steal” and “Get By” contrast with juke joint grooves like “Just As Gone” while diving into new territory with the Cajun-infused double harmonica instrumental “Yazoo River.” The album was recorded by another mainstay of recent Memphis recording, Kevin Houston (Southern Avenue, North Mississippi Allstars, G. Love). Other musicians on the album include Lee Williams Jr. on drums, Terrance Grayson on Bass, Aubrey McCrady on guitar, Jake Friel on Harmonica, and Mikey Junior on backup vocals.

Motel Mississippi follows 2020’s Soul Service, produced by another regular collaborator, Southern Avenue’s Ori Naftaly. This followed two volumes of Tony Holiday’s Porch Sessions, which saw Holiday traveling across the United States and throughout Europe recording blues musicians on their very own front porches, in front of juke joints, in the countryside, and even on the front stoops of raucous night spots in bustling cities, resulting in two critically acclaimed albums. The guestlist struck a balance between older legends like Grammy® winners Charlie Musselwhite and Bobby Rush, former Muddy Waters guitarist John Primer and the iconic Lurie Bell, alongside some of Holiday’s peers Southern Avenue, Victor Wainwright, and John Németh. The latter two have served as important mentors for Holiday since his move to Memphis.

There’s something in the water in Memphis, and Tony Holiday has tapped into it to contribute to an exciting new chapter unfolding in this storied region.

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Location

Appleton Beer Factory603 W College Ave, Appleton, WI 54914

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