Low Cut Connie
“This record is all kink and no shame,” says Adam Weiner of ART DEALERS, the tough, sexy and tender new album coming from Low Cut Connie. “With Low Cut Connie, I try to create a safe space for you to just absolutely get your freak on.”
For years now, Low Cut Connie has built it..
Low Cut Connie
“This record is all kink and no shame,” says Adam Weiner of ART DEALERS, the tough, sexy and tender new album coming from Low Cut Connie. “With Low Cut Connie, I try to create a safe space for you to just absolutely get your freak on.”
For years now, Low Cut Connie has built its grassroots coalition of oddballs, underdogs, and fun-loving
weirdos with songs that celebrate life on the fringes of polite society. The band’s infamously wild, passionate live shows provide a total release - of stress, of inhibition, of shame - working up a primordial rock n roll sweat for fans to get blissfully soaked in. The new album, and its full-length companion film, sizzle with that same cathartic sweat, reminding us that it's time to get dirty again, and to feel alive. ART DEALERS sits at the intersection of sleazy and soulful - a collection of risky, romantic, life-affirming anthems, all dedicated to you.
“I think rock n roll exists to be a red-blooded, countercultural medium,” says Weiner, who has performed under the Low Cut Connie moniker for over a decade, "You're supposed to get your hair messed-up." That imperative comes through in the adults-only tone of songs like the opening “Tell Me Something I Don’t Know,” a sinuous, lurid rocker that sounds like walking through depraved Times Square in 1978 - neon-lit and nasty with a snapping beat. The speedy, fuzzed-up garage-rocker “Whips and Chains" calls out Trump and the current wave of neo-fascism, without ever losing its boogie rhythm section.
But there’s also tenderness behind the curtain here, as on the yearning first single "Are You Gonna Run?" and "Call Out My Name", which evoke the sweet sad love that punky boys like the New York Dolls and the Ramones used to have for tough girls like the Ronettes and the Shangri-La's.
The sounds throughout the record comprise a grimy modern urban landscape, a soulful but broken place that Weiner and his band (including rock n roll guitar hero, Will Donnelly, in his 9th year in Low Cut Connie) have been gravitating towards throughout the band's history. Weiner grew up amid the lawns and strip malls of suburban New Jersey, and his own teen dreams were lit up by the beacon of the big city, where he could shed his skin like so many artists before. “If you think about it, so many great artists who we associate with the city were actually bridge and tunnel people,” Adam said. “Patti Smith, Lou Reed, Springsteen. Debbie Harry, Robert Mapplethorpe. People who came from the burbs had this vision of what they could achieve in the city, what attracted them to this art life, who they could turn into and what impressions they could make - if they
could just get there.” ART DEALERS is in many ways a tribute to that feeling at the pumping heart of the city - that enlightened buzz that can come in a packed hothouse of creativity and free expression. Songs like the Grace Jones styled "Take Me to the Place" and the penetrating title song point to all the people who cross those bridges, who choose the art life, who find their liberation on the edges of propriety.
ART DEALERS isn’t constrained by a gender binary, either. “When I’m onstage, I am the freest, most
uninhibited version of myself,” Weiner explains. “It's total freedom of spirit and body. Over the years, that freedom has given me more confidence to write songs from a perspective that isn't necessarily male. I’ve slowly been walking toward a more gender-fluid voice with Low Cut Connie." Weiner's first steady gig at age 21 was as a piano-player in a drag karaoke bar in Manhattan called Pegasus, a seedy place where trans people, gay, straight and otherwise would gather around Weiner's piano in a benevolent yet fully debauched
array. "There are so many songs that came out of that bar for me. Things like 'Shake It Little Tina [the single off of Low Cut Connie's Hi Honey album]" But it wasn't until ART DEALERS that he fully allowed himself to let the gender binary go so completely on songs like the upcoming single "Don't Get Fresh With Me," "Wonderful Boy," and "Sleaze Me On" (with its sweet refrain "Treat me like a modern girl!"). Says Weiner, "I have no idea the gender identity of those songs. And that feels real comfy for me, the 'not knowing'."
ART DEALERS goes out to all the outsiders. On the no-fucks-to-give anthem "King of the Jews," Weiner gets deep in the weeds of his personal and ethnic outsider identity. “There are just so many entry points these days to antisemitism, so my absolute unapologetic full-frontal Jewiness feels more needed now, I guess,” he says. “My Jewiness gives me an outsider perspective and humor that I wouldn't trade for any goddamn thing,
and the minute I start hiding that, I'm dishonoring myself. Shedding shame is a key element of Low Cut Connie.”
Weiner feels like a certain dark prince of rock n roll was a companion to him on this whole album and film project. “I felt like Lou Reed was riding with me the whole time I was making Art Dealers,” he said. “Lou was the toughest motherfucker out there, a subversive Jew like me - but he had a real rock n’roll heart underneath it all."
ART DEALERS comes on the heels of a few very busy years for Low Cut Connie. During the height of COVID lockdowns, Adam and Low Cut Connie guitarist Will Donnelly did the near-impossible with their “Tough Cookies” live-streaming rock and soul variety shows. Even in a bathrobe, from his South Philly guest bedroom, Adam managed to generate the electricity of a live show - twice a week, no less - earning him the New Yorker’s newly-minted laurel of “Pandemic Person of the Year” in 2020. The broadcasts drew hundreds of thousands of viewers from more than forty countries, who joined previous appreciators like Bruce Springsteen (who invited Weiner backstage on Broadway in 2018) Barack Obama (an early adopter, who included the band on his official Spotify favorites playlist in 2015) and Elton John (who both praised the band from his own concert stage and featured Weiner as a guest, twice, on his satellite radio show) in Low Cut
Connie’s de facto fan club.
In the midst of all this, Low Cut Connie also released 2020's acclaimed PRIVATE LIVES album. The album's title track finished the year in the top 20 nationally for non-commercial radio and was praised by NPR as "the freak anthem we need right now." PRIVATE LIVES was praised for the vivid interiority and intimate detail of its songwriting and was included on many best-of-the-year lists that year (Rolling Stone, NPR/Fresh Air, PopMatters, Glide, AllMusic, etc). For that album and ART DEALERS, Weiner sat solo in the producer's chair.
Further exploring new media, Weiner co-directed (with filmmaker Roy Power) an 80 minute feature film that will premiere late this year as a companion piece to ART DEALERS. The film is a hybrid-genre documentary that combines a stellar run of NYC concerts from 2022 shot at Sony Hall and the Blue Note, as well as 15 years of performance footage and musical and personal misadventures that led up to ART DEALERS. Low Cut Connie released the critically acclaimed LP ART DEALERS in Fall 2023, with a full-length companion film to be released in theaters across the US in September 2024, and on-demand streaming on Oct 1, 2024.
Ahead of the release of this new album and film, Adam Weiner aka Low Cut Connie explains what motivates him to keep pushing deeper into art life.
“I'm always trying to get back to the heart and soul of things with the intention of my music and my performances,” says Adam. “I don't know what's hip. I don't know what's in fashion. I don't know what I'm supposed to be doing to be accepted by whatever's popular or trending. I have no idea - I don't care anymore. I just want to turn people on with what I do. The world is a dirty and broken place… we might as well live it the fuck up while we’re here.”
With 8 albums released to date, select highlights from the band’s impressive career include endorsements from Barack Obama and Elton John, a performance on Late Night with Seth Meyers, and a spot on Rolling Stone’s Top 100 Albums of the Decade list.
Low Cut Connie released the critically acclaimed LP ART DEALERS in Fall 2023, with a full-length companion film to be released in theaters across the US in September 2024, and on-demand streaming on Oct 1, 2024."
ART DEALERS may be the band's masterpiece to date."
Nashville Scene
"Low Cut Connie can renew your faith in rock."
Boston Herald
"Experiencing Weiner in his element, whether on the new record ART DEALERS, its accompanying film, or live, is a gift of melody, messages, and community."
No Depression Magazine
"Like Bruce Springsteen after he discovered literature, Weiner started bending classic rock to meet his ever more complex emotionalism. The result is that this new 17 track collection Private
Lives is Adam Weiner’s version of Born to Run, filled with songs about losers and lovers and beautiful dreamers."
Ken Tucker, NPR's Fresh Air
“Pandemic Person of the Year”
The New Yorker
"ART DEALERS hits the heart, head, & groin with equal force.”
AllMusic
JUDY BLANK
If Judy Blank would tell you she grew up in a beach town in Southern California, you’d probably
believe her. But nothing could be further from the truth. Hailing from Utrecht, The Netherlands,
the blue-eyed indie folk sensation has been known for an eclectic sound. Her music lands
somewhere in the realm of ‘60’s girl group meets indie/garage rock, never losing the intimacy of
a singer-songwriter. Whether she’s grooving with her band in a dark bar in Los Angeles, or in a
quiet theater with nothing but a guitar, she’s certain to draw you in with her whimsical tunes,
magnetic stage presence & painfully relatable lyrics.
As a kid, she spent every night of the week watching classic American movies with her dad.
Inspired by their storytelling and captivating soundtracks, she always dreamed of crossing the
Atlantic to embark on her own heroine's journey: pursuing her career as an artist in the United
States. When she was nineteen, she bought a cheap plane ticket to New Orleans, where she
started playing her first shows in local bars & coffee houses. Shortly after, she made her way to
Nashville, where she recorded her 70’s inspired coming-of-age LP ‘Morning Sun’. From the
green-eyed soul of her hit single ‘Mary Jane’ to the jagged-edged ballad ‘Tangled Up in You’,
which currently has over twelve million streams on Spotify, her album checked all the boxes.
Lead single ‘1995’ was even called a favorite by none other than one of her favorite artists: Sir
Elton John. The release of ‘Morning Sun’ not only put her on the map in Europe, where she sold
out clubs as a headliner and got to open for artists like Langhorne Slim, The Wood Brothers and
SUSTO, but also in the States. She officially debuted at SXSW in Austin in 2019 and was the
first Dutch artist to ever play AmericanaFest in Nashville that same year.
But in every heroine’s journey, the protagonist needs to experience internal conflict in order to
grow. Her most recent EP, ‘Saddies’, has added a whole new layer of vulnerability to her artistry;
she produced it herself after experiencing an unexpected mental breakdown. Each song
describes a relatable struggle and encapsulates it in its own universe, with a hint of
self-mockery and plenty of party favors.
Low Cut Connie “This record is all kink and no shame,” says Adam Weiner of ART DEALERS, the tough, sexy and tender new album coming from Low Cut Connie. “With Low Cut Connie, I try to create a safe space for you to just absolutely get your freak on.”
For years now, Low Cut Connie has built its grassroots coalition of oddballs, underdogs, and fun-loving
weirdos with songs that celebrate life on the fringes of polite society. The band’s infamously wild, passionate live shows provide a total release - of stress, of inhibition, of shame - working up a primordial rock n roll sweat for fans to get blissfully soaked in. The new album, and its full-length companion film, sizzle with that same cathartic sweat, reminding us that it's time to get dirty again, and to feel alive. ART DEALERS sits at the intersection of sleazy and soulful - a collection of risky, romantic, life-affirming anthems, all dedicated to you.
“I think rock n roll exists to be a red-blooded, countercultural medium,” says Weiner, who has performed under the Low Cut Connie moniker for over a decade, "You're supposed to get your hair messed-up." That imperative comes through in the adults-only tone of songs like the opening “Tell Me Something I Don’t Know,” a sinuous, lurid rocker that sounds like walking through depraved Times Square in 1978 - neon-lit and nasty with a snapping beat. The speedy, fuzzed-up garage-rocker “Whips and Chains" calls out Trump and the current wave of neo-fascism, without ever losing its boogie rhythm section.
But there’s also tenderness behind the curtain here, as on the yearning first single "Are You Gonna Run?" and "Call Out My Name", which evoke the sweet sad love that punky boys like the New York Dolls and the Ramones used to have for tough girls like the Ronettes and the Shangri-La's.
The sounds throughout the record comprise a grimy modern urban landscape, a soulful but broken place that Weiner and his band (including rock n roll guitar hero, Will Donnelly, in his 9th year in Low Cut Connie) have been gravitating towards throughout the band's history. Weiner grew up amid the lawns and strip malls of suburban New Jersey, and his own teen dreams were lit up by the beacon of the big city, where he could shed his skin like so many artists before. “If you think about it, so many great artists who we associate with the city were actually bridge and tunnel people,” Adam said. “Patti Smith, Lou Reed, Springsteen. Debbie Harry, Robert Mapplethorpe. People who came from the burbs had this vision of what they could achieve in the city, what attracted them to this art life, who they could turn into and what impressions they could make - if they
could just get there.” ART DEALERS is in many ways a tribute to that feeling at the pumping heart of the city - that enlightened buzz that can come in a packed hothouse of creativity and free expression. Songs like the Grace Jones styled "Take Me to the Place" and the penetrating title song point to all the people who cross those bridges, who choose the art life, who find their liberation on the edges of propriety.
ART DEALERS isn’t constrained by a gender binary, either. “When I’m onstage, I am the freest, most
uninhibited version of myself,” Weiner explains. “It's total freedom of spirit and body. Over the years, that freedom has given me more confidence to write songs from a perspective that isn't necessarily male. I’ve slowly been walking toward a more gender-fluid voice with Low Cut Connie." Weiner's first steady gig at age 21 was as a piano-player in a drag karaoke bar in Manhattan called Pegasus, a seedy place where trans people, gay, straight and otherwise would gather around Weiner's piano in a benevolent yet fully debauched
array. "There are so many songs that came out of that bar for me. Things like 'Shake It Little Tina [the single off of Low Cut Connie's Hi Honey album]" But it wasn't until ART DEALERS that he fully allowed himself to let the gender binary go so completely on songs like the upcoming single "Don't Get Fresh With Me," "Wonderful Boy," and "Sleaze Me On" (with its sweet refrain "Treat me like a modern girl!"). Says Weiner, "I have no idea the gender identity of those songs. And that feels real comfy for me, the 'not knowing'."
ART DEALERS goes out to all the outsiders. On the no-fucks-to-give anthem "King of the Jews," Weiner gets deep in the weeds of his personal and ethnic outsider identity. “There are just so many entry points these days to antisemitism, so my absolute unapologetic full-frontal Jewiness feels more needed now, I guess,” he says. “My Jewiness gives me an outsider perspective and humor that I wouldn't trade for any goddamn thing,
and the minute I start hiding that, I'm dishonoring myself. Shedding shame is a key element of Low Cut Connie.”
Weiner feels like a certain dark prince of rock n roll was a companion to him on this whole album and film project. “I felt like Lou Reed was riding with me the whole time I was making Art Dealers,” he said. “Lou was the toughest motherfucker out there, a subversive Jew like me - but he had a real rock n’roll heart underneath it all."
ART DEALERS comes on the heels of a few very busy years for Low Cut Connie. During the height of COVID lockdowns, Adam and Low Cut Connie guitarist Will Donnelly did the near-impossible with their “Tough Cookies” live-streaming rock and soul variety shows. Even in a bathrobe, from his South Philly guest bedroom, Adam managed to generate the electricity of a live show - twice a week, no less - earning him the New Yorker’s newly-minted laurel of “Pandemic Person of the Year” in 2020. The broadcasts drew hundreds of thousands of viewers from more than forty countries, who joined previous appreciators like Bruce Springsteen (who invited Weiner backstage on Broadway in 2018) Barack Obama (an early adopter, who included the band on his official Spotify favorites playlist in 2015) and Elton John (who both praised the band from his own concert stage and featured Weiner as a guest, twice, on his satellite radio show) in Low Cut
Connie’s de facto fan club.
In the midst of all this, Low Cut Connie also released 2020's acclaimed PRIVATE LIVES album. The album's title track finished the year in the top 20 nationally for non-commercial radio and was praised by NPR as "the freak anthem we need right now." PRIVATE LIVES was praised for the vivid interiority and intimate detail of its songwriting and was included on many best-of-the-year lists that year (Rolling Stone, NPR/Fresh Air, PopMatters, Glide, AllMusic, etc). For that album and ART DEALERS, Weiner sat solo in the producer's chair.
Further exploring new media, Weiner co-directed (with filmmaker Roy Power) an 80 minute feature film that will premiere late this year as a companion piece to ART DEALERS. The film is a hybrid-genre documentary that combines a stellar run of NYC concerts from 2022 shot at Sony Hall and the Blue Note, as well as 15 years of performance footage and musical and personal misadventures that led up to ART DEALERS. Low Cut Connie released the critically acclaimed LP ART DEALERS in Fall 2023, with a full-length companion film to be released in theaters across the US in September 2024, and on-demand streaming on Oct 1, 2024.
Ahead of the release of this new album and film, Adam Weiner aka Low Cut Connie explains what motivates him to keep pushing deeper into art life.
“I'm always trying to get back to the heart and soul of things with the intention of my music and my performances,” says Adam. “I don't know what's hip. I don't know what's in fashion. I don't know what I'm supposed to be doing to be accepted by whatever's popular or trending. I have no idea - I don't care anymore. I just want to turn people on with what I do. The world is a dirty and broken place… we might as well live it the fuck up while we’re here.”
With 8 albums released to date, select highlights from the band’s impressive career include endorsements from Barack Obama and Elton John, a performance on Late Night with Seth Meyers, and a spot on Rolling Stone’s Top 100 Albums of the Decade list.
Low Cut Connie released the critically acclaimed LP ART DEALERS in Fall 2023, with a full-length companion film to be released in theaters across the US in September 2024, and on-demand streaming on Oct 1, 2024."
ART DEALERS may be the band's masterpiece to date."
Nashville Scene
"Low Cut Connie can renew your faith in rock."
Boston Herald
"Experiencing Weiner in his element, whether on the new record ART DEALERS, its accompanying film, or live, is a gift of melody, messages, and community."
No Depression Magazine
"Like Bruce Springsteen after he discovered literature, Weiner started bending classic rock to meet his ever more complex emotionalism. The result is that this new 17 track collection Private
Lives is Adam Weiner’s version of Born to Run, filled with songs about losers and lovers and beautiful dreamers."
Ken Tucker, NPR's Fresh Air
“Pandemic Person of the Year”
The New Yorker
"ART DEALERS hits the heart, head, & groin with equal force.”
AllMusic
JUDY BLANKIf Judy Blank would tell you she grew up in a beach town in Southern California, you’d probably
believe her. But nothing could be further from the truth. Hailing from Utrecht, The Netherlands,
the blue-eyed indie folk sensation has been known for an eclectic sound. Her music lands
somewhere in the realm of ‘60’s girl group meets indie/garage rock, never losing the intimacy of
a singer-songwriter. Whether she’s grooving with her band in a dark bar in Los Angeles, or in a
quiet theater with nothing but a guitar, she’s certain to draw you in with her whimsical tunes,
magnetic stage presence & painfully relatable lyrics.
As a kid, she spent every night of the week watching classic American movies with her dad.
Inspired by their storytelling and captivating soundtracks, she always dreamed of crossing the
Atlantic to embark on her own heroine's journey: pursuing her career as an artist in the United
States. When she was nineteen, she bought a cheap plane ticket to New Orleans, where she
started playing her first shows in local bars & coffee houses. Shortly after, she made her way to
Nashville, where she recorded her 70’s inspired coming-of-age LP ‘Morning Sun’. From the
green-eyed soul of her hit single ‘Mary Jane’ to the jagged-edged ballad ‘Tangled Up in You’,
which currently has over twelve million streams on Spotify, her album checked all the boxes.
Lead single ‘1995’ was even called a favorite by none other than one of her favorite artists: Sir
Elton John. The release of ‘Morning Sun’ not only put her on the map in Europe, where she sold
out clubs as a headliner and got to open for artists like Langhorne Slim, The Wood Brothers and
SUSTO, but also in the States. She officially debuted at SXSW in Austin in 2019 and was the
first Dutch artist to ever play AmericanaFest in Nashville that same year.
But in every heroine’s journey, the protagonist needs to experience internal conflict in order to
grow. Her most recent EP, ‘Saddies’, has added a whole new layer of vulnerability to her artistry;
she produced it herself after experiencing an unexpected mental breakdown. Each song
describes a relatable struggle and encapsulates it in its own universe, with a hint of
self-mockery and plenty of party favors.
