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Them Coulee Boys
“from pure and genuine ballads to a leaping, countrified take on rock and roll”
Bio
Soren Staff and Beau Janke—co-founders of folk/rock/Americana outfit Them Coulee Boys—met as camp counselors in northern Wisconsin in 2011. Their weekend workshopping of Avett Brothers tunes led to original songs and adding Soren’s brother Jens on mandolin. As the years grew, the band turned into a more rollicking outfit, adding Neil Krause on electric bass and Stas Hable on drums.
The band’s name is a nod to the glacial melt-carved river valleys they call home, known by early French fur trappers as coulees. 2023 marks the 10th year since launching themselves during a now legendary apple farm hootenanny. Known for wild swings of emotion during sets, it is not unusual to see fans in tears and minutes later dancing with abandon. The honesty and ability to talk and sing about the feelings and emotions that shape them has endeared them to a growing group of fans and friends.
With four full-length albums and an EP behind them, including 2019’s Die Happy (produced by Trampled By Turtles’ Dave Simonett on Lo-Hi Records) and 2021’s Namesake (produced by Grammy winner Brian Joseph), the band has garnered international attention and earned press in American Songwriter, Ditty TV, Folk Alley, and The Bluegrass Situation, as well as tours with Trampled By Turtles and a spot on the songwriter’s Cayamo Cruise.
2021’s Namesake found the band following a new trajectory, combining their signature take on folk-grass and Americana with comfort on electric instruments and playing rock and roll. The record lives and breathes. It’s both intimate and bombastic. It’s the sweet aunt who makes delicious pies and the wiley uncle who’s not afraid to hit a bit of the hooch. At the bottom is the acceptance that comes with family and old friends; none of us are perfect, but there’s enough love out there to make up for it.
In 2020, they were named Milwaukee Journal Sentinel’s Band to Watch. In 2021, they won Bluegrass/Americana Band of the Year by the Wisconsin Area Music Industry.
For all things Them Coulee Boys, please visit themcouleeboys.com.
LONG MAMA
Long Mama’s music blisters with the heart and grit of someone who has lost hard, loved harder, and licked her burns until they stung then silvered. In a drafty attic just west of the Milwaukee River she grew up on, you’ll find songwriter Kat Wodtke (Wood-key) raking through notebooks in search of a salve: words, stories, and sounds to temper the dumpster fires we never mean to light. Flickering behind each song is Wodtke’s lived insight into our human faults & fissures – the moments in life when we can slip and lose our footing, or claw our way out…better people on the other side of the blaze.
Wodtke was raised in Southeastern Wisconsin by two radical, musician-turned-teacher parents. Often left to wander through the stacks of People’s Books as a kid, she discovered a love of reading – devouring everything from Carson McCullers and Ralph Ellison to Sam Shepard and Tu Fu. In the basements and living rooms of Milwaukee’s Riverwest neighborhood, a gangly teenaged Wodtke was captivated by scrappy DIY bands that defied categorization and carved their own paths. Wodtke eventually moved to Minneapolis where she waited tables and immersed herself in the mercurial Twin Cities music scene. They traveled to Alaska for seasonal jobs, living in a small, secluded cabin. All the while, Wodtke observed and wrote, studying the curious characters who always seemed to hang their hats in her unsettled heart, whether they paid rent there or not.
With years of drifting in her rearview mirror, Wodtke made their way back home to Riverwest. After the death of a close friend in 2018, she struggled to make music. It took time – and a heap of tenderness from friends and family – for her to pick up a guitar again. When she finally did, music became a raft – or maybe more like a submarine – through the strange wilderness of heartache and grief, loneliness and love, risk and abandon. With a growing collection of original songs and buoyed confidence, Wodtke coined the name Long Mama (after a prickly, shade-loving cactus) and teamed up with guitarist Andrew Koenig and drummer Nick Lang, a pair whose chemistry adds dusky afterglow to Wodtke’s musical landscapes. Upright bass ace Samual Odin came aboard soon after, along with regular collaborator Eva Nimmer, whose backing vocals blend so elegantly with Wodtke’s that one could mistake them for blood harmonies.
Poor Pretender, Long Mama’s debut album released October 2022, embraces a rich spectrum of light and shadow, heat and cold. The ten-song collection’s palette of country, folk, indie rock, and punk reflects its makers' coming-of-age in the rustbelt crossroads of north, south, east, & west. Engineered by Erik Koskinen and recorded live over a long, snowy weekend in Cleveland, Minnesota, the record showcases the band’s particular ability to conjure the beautiful in the broken, the silver in the ore.
ABOUT THE COBRAS
Cedar County Cobras play American roots and blues music from the last century. The music takes on an “old time” blues feel that would most likely be found in a juke-joint down a gravel road in rural Iowa. Tom Spielbauer is behind the boot-stompin blues sound produced by the duo and has over twenty years of playing blues and rock across Iowa and the Midwest. The authentic sound of his music comes from a career of pouring concrete and working construction. In 2005, Tom was diagnosed with advanced macular degeneration at a young age and declared legally blind. Following in the footsteps of blind blues musicians such as Blind Willie McTell & Alan Wilson, he eventually traded his concrete tools for a guitar and a foot drum to play the blues full time.
Also an Iowa native, his music partner April Dirks started playing mandolin with the Cedar County Cobras in 2014. Before working with Tom, she often performed as a bluegrass musician with a unique “gypsy” sound that she brought to any performance or music jam. Early in the project, April discovered she had a talent for playing the upright bass and the duo naturally gravitated to playing American Roots and Delta Blues Music. April now plays the doghouse bass that gives the duo the boot-stompin boogie sound that makes the music really move. The Cobras have performed as a duo or a trio with guitarists George Spielbauer or Dustin Duwa as featured musicians.
Over time, the Cobras have played hundreds of shows across Iowa and parts of the Midwest. They bring a contagious energy to any live performance and cover different genres of music so that every member of the audience is sure to be satisfied. Audience members will find themselves tapping to the beat of the foot drum and upright bass or getting up to dance with the crowd. The band performs at breweries and wineries across the Midwest and have played many other venues from the small-town dive bar to the large classic theatre or festival stage. For example, Cobras have played the main stage at the Iowa Arts Festival and recently played the Englert Theatre opening up for big name acts such as Marty Stuart, and Ricky Skaggs and Kentucky Thunder. The band has also shared the stage and festival line-ups with notable acts such as Joe & Vicki Price, Split Lip Rayfield, Legendary Shack Shakers, Ben Miller Band, Fruition, Old Salt Union, Blackberry Bushes, Mountain Sprout, Grassfed, Sam Bush, and even the amazing Travelin’ McCourys.