TICKETS AVAILABLE AT THE GATE! $40 CASH ONLY!
HORSESHOES & HAND GRENADES
After ten years, five albums, innumerable sold out shows, and countless libations, Americana mavericks Horseshoes & Hand Grenades appropriately consider themselves a “family” on a wild, wonderful, and often whac..
TICKETS AVAILABLE AT THE GATE! $40 CASH ONLY!
HORSESHOES & HAND GRENADES
After ten years, five albums, innumerable sold out shows, and countless libations, Americana mavericks Horseshoes & Hand Grenades appropriately consider themselves a “family” on a wild, wonderful, and often whacky roller coaster. The bond between the quintet— Adam Greuel [guitar, vocals], David C. Lynch [harmonica, accordion, vocals], Collin Mettelka [fiddle, vocals], Russell Pedersen [banjo, vocals], and Samual Odin [bass, vocals]— fuels their creativity and chemistry on stage and in the studio.
“Sometimes, it feels like we’re modern day cowboys on some kind of strange journey,” Adam affirms with a laugh. “We’re five friends who set out to do something we enjoy doing, meet interesting people, see old friends, and make some new buddies along the way. Because of that sense of friendship, everything seems to happen organically.”
That’s been the case since these five musicians first met in Stevens Point, WI at college, joined forces, and hit the road harder post-graduation in roughly 2013. They have ignited stages alongside everyone from Greensky Bluegrass, Yonder Mountain String Band, The Infamous Stringdusters, and Trampled By Turtles to Railroad Earth, Merle Haggard, and Marty Stuart in addition to appearances at festivals such as Telluride Bluegrass Festival, Delfest, High Sierra Music Festival, Blue Ox Music Festival, Northwest String Summit, John Hartford Memorial Festival, and many more. Their five albums—Another Round [2012], This Old Town [2013], Middle Western [2015], The Ode (2018), and Miles in Blue (2020) take the listener through a wide range of musical and emotional landscapes, something surely provoked by the five different members all sharing songwriting duties.
Their most recent album, “Miles in Blue” is an 18-track album that celebrates their 10 years together as a band. While the album certainly nods to their tried and true blend of “new-time old-time” music, it also explores new musical avenues as the band pushes themselves to discover what else “can be”.
“It marks a point of growth,” explains Adam. “We’ve got those ripper type tunes we’re known for on there, but we’re experimenting with other elements. Little pieces of everybody are encapsulated in this record. We were really conscious of allowing our respective musical curiosities into the fold. Sam drops in a jazz and classical feel. Dave brings that Zydeco, Cajun, and old school blues vibe. Collin turned up this kinda pop folk energy, and Russell gives us the old-timey banjo feel. For me, I’m trying to play out my singer-songwriter curiosities. There are five songwriters in the band, and we’ve gotten better at harnessing our individual creativity and bringing it to the collective.”
The boys found the perfect place to bottle those signature spirits. They retreated to Cannon Falls, MN in order to live and record at Pachyderm Studios — where Nirvana recorded In Utero — for just a week. Joined by the Hard Working American’s Chad Staehly in the producer’s chair, they tracked the eighteen numbers that would comprise Miles in Blue over the course of a marathon session.
“Pachyderm is in the middle of nowhere,” he elaborates. “We’re all outdoorsy people, so the setting was super comfortable. It contributed to the laid back approach. It was by far the easiest recording project we’ve done. The whole experience was super positive and uplifting.”
The Horseshoes & Hand Grenades family grows stronger by the day. “The best part of this has been building a community,” Adam leaves off. “In this day and age, it’s wise to look for things that bring people together rather than separate them. We’re creating an extended family to get through these times together. That’s the ‘Horseshoe Crew.’ Everything happens because of that bond between the band and the folks there fueling the fire.”
CHICAGO FARMER
The son of a small-town farming community, Cody Diekhoff logged plenty of highway and stage time under the name Chicago Farmer before settling in the city in 2003. Profoundly inspired by fellow Midwesterner John Prine, he’s a working-class folk musician to his core. His small-town roots, tilled with city streets mentality, are turning heads North and South of I-80.
“I love the energy, music, and creativity of Chicago, but at the same time, the roots and hard work of my small town,” he shares. Growing up in Delavan, Illinois, with a population less than 2,000, Diekhoff’s grandparents were farmers, and their values have always provided the baseline of his songs.
He writes music for “the kind of people that come to my shows. Whether in Chicago or Delavan, everyone has a story, and everyone puts in a long day and works hard the same way,” he says. “My generation may have been labeled as slackers, but I don’t know anyone who doesn’t work hard - many people I know put in 50-60 hours a week and 12-hour days. That’s what keeps me playing. I don’t like anyone to be left out; my music is for everyone in big and very small towns.”
He listened to punk rock and grunge as a kid before discovering a friend’s dad playing Hank Williams, and it was a revelation. Prine and Guthrie quickly followed. The name Chicago Farmer was originally for a band, but the utilitarian life of driving alone from bar to bar, city to city - to make a direct connection to his audience and listener, took a deeper hold.
“You can smell the dirt in the fields, hear the wind as it blows across the plains, and see the people that Chicago Farmer sings about. Each track captures a moment in time, whether for a person or a particular place. Imagine if a John Steinbeck short story had been written as a song, and this will give you a fairly good idea as to what Chicago Farmer accomplishes on his albums.”
— HONEST TUNE
JOSEPH HUBER BAND
TICKETS AVAILABLE AT THE GATE! $40 CASH ONLY!HORSESHOES & HAND GRENADES
After ten years, five albums, innumerable sold out shows, and countless libations, Americana mavericks Horseshoes & Hand Grenades appropriately consider themselves a “family” on a wild, wonderful, and often whacky roller coaster. The bond between the quintet— Adam Greuel [guitar, vocals], David C. Lynch [harmonica, accordion, vocals], Collin Mettelka [fiddle, vocals], Russell Pedersen [banjo, vocals], and Samual Odin [bass, vocals]— fuels their creativity and chemistry on stage and in the studio.
“Sometimes, it feels like we’re modern day cowboys on some kind of strange journey,” Adam affirms with a laugh. “We’re five friends who set out to do something we enjoy doing, meet interesting people, see old friends, and make some new buddies along the way. Because of that sense of friendship, everything seems to happen organically.”
That’s been the case since these five musicians first met in Stevens Point, WI at college, joined forces, and hit the road harder post-graduation in roughly 2013. They have ignited stages alongside everyone from Greensky Bluegrass, Yonder Mountain String Band, The Infamous Stringdusters, and Trampled By Turtles to Railroad Earth, Merle Haggard, and Marty Stuart in addition to appearances at festivals such as Telluride Bluegrass Festival, Delfest, High Sierra Music Festival, Blue Ox Music Festival, Northwest String Summit, John Hartford Memorial Festival, and many more. Their five albums—Another Round [2012], This Old Town [2013], Middle Western [2015], The Ode (2018), and Miles in Blue (2020) take the listener through a wide range of musical and emotional landscapes, something surely provoked by the five different members all sharing songwriting duties.
Their most recent album, “Miles in Blue” is an 18-track album that celebrates their 10 years together as a band. While the album certainly nods to their tried and true blend of “new-time old-time” music, it also explores new musical avenues as the band pushes themselves to discover what else “can be”.
“It marks a point of growth,” explains Adam. “We’ve got those ripper type tunes we’re known for on there, but we’re experimenting with other elements. Little pieces of everybody are encapsulated in this record. We were really conscious of allowing our respective musical curiosities into the fold. Sam drops in a jazz and classical feel. Dave brings that Zydeco, Cajun, and old school blues vibe. Collin turned up this kinda pop folk energy, and Russell gives us the old-timey banjo feel. For me, I’m trying to play out my singer-songwriter curiosities. There are five songwriters in the band, and we’ve gotten better at harnessing our individual creativity and bringing it to the collective.”
The boys found the perfect place to bottle those signature spirits. They retreated to Cannon Falls, MN in order to live and record at Pachyderm Studios — where Nirvana recorded In Utero — for just a week. Joined by the Hard Working American’s Chad Staehly in the producer’s chair, they tracked the eighteen numbers that would comprise Miles in Blue over the course of a marathon session.
“Pachyderm is in the middle of nowhere,” he elaborates. “We’re all outdoorsy people, so the setting was super comfortable. It contributed to the laid back approach. It was by far the easiest recording project we’ve done. The whole experience was super positive and uplifting.”
The Horseshoes & Hand Grenades family grows stronger by the day. “The best part of this has been building a community,” Adam leaves off. “In this day and age, it’s wise to look for things that bring people together rather than separate them. We’re creating an extended family to get through these times together. That’s the ‘Horseshoe Crew.’ Everything happens because of that bond between the band and the folks there fueling the fire.”
CHICAGO FARMERThe son of a small-town farming community, Cody Diekhoff logged plenty of highway and stage time under the name Chicago Farmer before settling in the city in 2003. Profoundly inspired by fellow Midwesterner John Prine, he’s a working-class folk musician to his core. His small-town roots, tilled with city streets mentality, are turning heads North and South of I-80.
“I love the energy, music, and creativity of Chicago, but at the same time, the roots and hard work of my small town,” he shares. Growing up in Delavan, Illinois, with a population less than 2,000, Diekhoff’s grandparents were farmers, and their values have always provided the baseline of his songs.
He writes music for “the kind of people that come to my shows. Whether in Chicago or Delavan, everyone has a story, and everyone puts in a long day and works hard the same way,” he says. “My generation may have been labeled as slackers, but I don’t know anyone who doesn’t work hard - many people I know put in 50-60 hours a week and 12-hour days. That’s what keeps me playing. I don’t like anyone to be left out; my music is for everyone in big and very small towns.”
He listened to punk rock and grunge as a kid before discovering a friend’s dad playing Hank Williams, and it was a revelation. Prine and Guthrie quickly followed. The name Chicago Farmer was originally for a band, but the utilitarian life of driving alone from bar to bar, city to city - to make a direct connection to his audience and listener, took a deeper hold.
“You can smell the dirt in the fields, hear the wind as it blows across the plains, and see the people that Chicago Farmer sings about. Each track captures a moment in time, whether for a person or a particular place. Imagine if a John Steinbeck short story had been written as a song, and this will give you a fairly good idea as to what Chicago Farmer accomplishes on his albums.”
— HONEST TUNE
JOSEPH HUBER BAND