THIS SHOW IS SOLD OUT! NO TICKETS AT THE GATE. SORRY!
BODEANS
With countless tunes you know from the first note, rip-roaring gigs you can count on, and a whole lot of energy you’ll take home with you, BoDeans continue to contribute to the American songbook as a tried-andtrue institution. Foun..
THIS SHOW IS SOLD OUT! NO TICKETS AT THE GATE. SORRY!
BODEANS
With countless tunes you know from the first note, rip-roaring gigs you can count on, and a whole lot of energy you’ll take home with you, BoDeans continue to contribute to the American songbook as a tried-andtrue institution. Founded and led by original frontman, songwriter, multi-instrumentalist, and producer Kurt Neumann, the band’s catalog consists of generational anthems such as “Good Things,” You Don’t Get Much,” “Idaho,” and “Closer To Free,” just to name a few. However, they still reflect the soul and spirit of the modern American experience on their fourteenth full-length offering, 4 The Last Time. “The music of BoDeans has defined much of my life,” muses Kurt. “I consider myself fortunate to be able to do what I enjoy. I wanted to creatively do something positive for the world instead of just taking from it. So, this is what I’ve chosen to do with my life. The music was always about the blue-collar dream of a better life, and it still is.” BoDeans emerged out of Waukesha, WI in 1986 with the seminal debut, Love & Hope & Sex & Dreams, produced by T Bone Burnett. Following Outside Looking In [1987], Home [1989], and Black and White [1991], Go Slow Down [1993] yielded “Closer To Free,” which famously served as the theme song for the smash hit television series Party of Five. With a sought-after discography, their music landed hundreds of television and film placements. Meanwhile, they transformed into a proven live phenomenon by supporting the likes of U2, Bob Dylan, Paul Simon, Tom Petty, The Pretenders, and David Bowie in addition to gracing the bills of Farm Aid, Summerfest, and ACL. Speaking to the group’s legacy, the Rock and Roll Hall of Fame permanently entrenched BoDeans in the Midwest Artists exhibit. Most recently, 2017’s Thirteen arrived to widespread acclaim from The Chicago Tribune and Glide Magazine who spotlighted the music’s “understated grace—an attribute that no doubt fuels the steadfast approach Kurt Neumann has employed of his thirty-plus years as a ‘BoDean’.” Along the way, NETFLIX’s The Ranch also utilized over 70 tunes from Kurt, and he launched his own podcast Staring At The World. In the midst of the Global Pandemic, he wrote and recorded what would become 4 The Last Time in his Austin, TX studio. “We have a classic guitar-driven midwestern rock pop sound,” he goes on. “I wanted to make sure there was still some music out there with guitars on it. I feel like I’m getting better at this in my fifties. So, there are a lot of those big rock songs we’ve done for years. I got that vibe down on this record.” Fittingly, BoDeans kick this chapter off with the high-energy anthem “Ya Gotta Go Crazy.” It charges forward with roots-y countrified swagger punctuated by an unshakable chant and hummable guitar solo. “When Spring came in Wisconsin, everyone rolled their windows down and turned the radio up,” he recalls. “The music sounded so good. This is meant to be one of those songs that makes you crank the volume and have some fun. In light of difficult times when you’re dealing with depression or challenges, sometimes you’ve got to go out and do some shit that seems a little crazy.” Then, there’s “A Little More Time.” The stomping groove gives way to another anthemic refrain as he pleads, “Come on baby won’t you give me just a little more time.” “On the day Tom Petty died, I was really sad,” he admits. “I’ve always been astounded by how good he was— from the time I discovered him at 15 until now. This is my little nod to Tom and The Heartbreakers for what they gave me.” On “I’m A Mess,” he examines the two lives of a career musician. “I’ve done this for 35 years,” he says. “As you get older, you start a family. When you’re on the traveling circus, you feel really disconnected from your life at home. You’re a mess without the other half of your life.” “Anyone But You” unfolds as a poignant love song over dreamy piano. Meanwhile, the title track “4 The Last Time” captures the breaking point of a relationship through an emotionally charged vocal originally popularized through an early incarnation of the tune on The Ranch. “It’s about the despair you go through when a relationship is dying and you can’t save it,” he continues. “It’s a tough and painful place to be. When ‘4 The Last Time’ was on The Ranch, I got so many messages asking for a full version. I thought the title might get everyone talking since we’ve been around for so long. Is this the last time? It’s a topic of conversation when you mention the history of the band.” The opener “Loved” importantly doubles as a mission statement. With its robust guitars and wild solo, it culminates on a promise to his kids, “You’re gonna know you were loved.” “It wasn’t until later I found out my mom sent me to the ER when I was two-years-old for getting fingerprints on the dining room table,” he sighs. “I was just surviving as a kid. I have children, and I want them to know how much I love them and how much they mean to me. I didn’t get that from my parents. It’s a message to my kids that I’m going to make sure they know how important they are.” In the end, BoDeans make an impact through such honesty. “For the next year, I’m going to be showing up in towns everywhere and trying to bring people together a little more,” he leaves off. “Come to a BoDeans gig, sing along, and forget about everything else. That’s why I play nowadays. I’d like to keep pushing that message as long as I can.
Marques Morel is an American songwriter/folksinger, guitar-strummer/harmonica wailer, Street-performer/wandering troubadour, itinerant woodcutter/migrant worker, and a friend to all. Originally from the Illinois corn country, Marques has performed everywhere from big city street corners around the world, to county fairs and festivals, to taverns and theaters, sharing the stage with artists such as Charlie Parr, Arlo McKinley, The Hooten Hallers, and Dead Horses, to name a few. Known for his intense and infectious energy on stage and his gritty and honest songwriting and delivery, Marques Morel has been described by his fans as “raw and rustic,” “guts on the floor,” and “wild and happy and dark and sad.” He will be found performing either as a one man show accompanied only by his old guitar, harmonica on the rack, and makeshift kick drum, or with his dynamically spirited band, The Midnight Wind.
“Powerful earth mama builds bridges of friendship around the world, celebrating life with guitar, ukulele and rockin’ healing songs. “
Award-winning songwriter, Folkgoddess Diane Patterson subverts the dominant paradigm with rocking acoustic guitar and ukulele, a mighty pen, and a woman's voice.
Since 1989, Patterson weaves her original Mystic Acoustic Americana music and unifying stories, planting seeds of love and revolution. Diane’s latest CD, Open Road, was recorded with platinum record-producer Mike Napolitano and features supporting vocals and instrumentation by the incomparable Ani DiFranco. In summer 2019 Diane opened 9 shows across the Midwest of the United States for punk-folk legend, Ani DiFranco, and then played a 20-show tour of Germany, Denmark and Sweden.
Diane tours winters in Hawaii and summers in Europe and Scandinavia, and her favorite gigs are intimate house concerts. She began her musical journey playing guitar in church as a kid. And then in her college years, she played bass for a blues duo and co-fronted a world music band. Diane’s currently working on a new cd to release in Fall 2021.
Folkgoddess Diane Patterson sings the world awake with powerful voice, rocking guitar, sweet ukulele, and revolutionary lyrics.
Her sincere spirit and wild heart joyfully plant seeds of love and realness.
She’s fueled by music-as-activism and love-as-revolution.
Since 1989, wordsmith Patterson weaves spirit and unifying stories, now around the world, on festival stages, at folk music venues and house concerts. She began performing open mics in her college town, played one season on electric bass for the excellent Sacramento, California-based Blues Duo, and then co-fronted a reggae- and latin-inspired band in Davis called The Heat from 1989-1991.
Based in Northern California, independent and supported by her community, Diane’s musical background spans ‘church’, blues, and world music. In 1993 she started the award-winning Diane Patterson Sextet with Joe Kojima Gray, Dave Theno, Jan Peters and two percussionists, Warren Jones and Rita Hosking . . . yes, THE Rita Hosking! Following The Sextet have been 20 years of solo, duo, and trio work, often with the amazing Al Torre on guitar.
“Joni Mitchell meets Ani DiFranco. Patterson is a modern day folk goddess.”
“Diane is a young Pete Seeger.” —Percussionist & Composer, Geoffrey Gordon
“FANTASTIC. Diane, you are a great musician.” — Paul Emery Music, Nevada City, Ca. Oct. 2015
“Diane is an amazing songwriter and a world healer.” — Bill Brickey, Chicago musician and producer
THIS SHOW IS SOLD OUT! NO TICKETS AT THE GATE. SORRY!BODEANS
With countless tunes you know from the first note, rip-roaring gigs you can count on, and a whole lot of energy you’ll take home with you, BoDeans continue to contribute to the American songbook as a tried-andtrue institution. Founded and led by original frontman, songwriter, multi-instrumentalist, and producer Kurt Neumann, the band’s catalog consists of generational anthems such as “Good Things,” You Don’t Get Much,” “Idaho,” and “Closer To Free,” just to name a few. However, they still reflect the soul and spirit of the modern American experience on their fourteenth full-length offering, 4 The Last Time. “The music of BoDeans has defined much of my life,” muses Kurt. “I consider myself fortunate to be able to do what I enjoy. I wanted to creatively do something positive for the world instead of just taking from it. So, this is what I’ve chosen to do with my life. The music was always about the blue-collar dream of a better life, and it still is.” BoDeans emerged out of Waukesha, WI in 1986 with the seminal debut, Love & Hope & Sex & Dreams, produced by T Bone Burnett. Following Outside Looking In [1987], Home [1989], and Black and White [1991], Go Slow Down [1993] yielded “Closer To Free,” which famously served as the theme song for the smash hit television series Party of Five. With a sought-after discography, their music landed hundreds of television and film placements. Meanwhile, they transformed into a proven live phenomenon by supporting the likes of U2, Bob Dylan, Paul Simon, Tom Petty, The Pretenders, and David Bowie in addition to gracing the bills of Farm Aid, Summerfest, and ACL. Speaking to the group’s legacy, the Rock and Roll Hall of Fame permanently entrenched BoDeans in the Midwest Artists exhibit. Most recently, 2017’s Thirteen arrived to widespread acclaim from The Chicago Tribune and Glide Magazine who spotlighted the music’s “understated grace—an attribute that no doubt fuels the steadfast approach Kurt Neumann has employed of his thirty-plus years as a ‘BoDean’.” Along the way, NETFLIX’s The Ranch also utilized over 70 tunes from Kurt, and he launched his own podcast Staring At The World. In the midst of the Global Pandemic, he wrote and recorded what would become 4 The Last Time in his Austin, TX studio. “We have a classic guitar-driven midwestern rock pop sound,” he goes on. “I wanted to make sure there was still some music out there with guitars on it. I feel like I’m getting better at this in my fifties. So, there are a lot of those big rock songs we’ve done for years. I got that vibe down on this record.” Fittingly, BoDeans kick this chapter off with the high-energy anthem “Ya Gotta Go Crazy.” It charges forward with roots-y countrified swagger punctuated by an unshakable chant and hummable guitar solo. “When Spring came in Wisconsin, everyone rolled their windows down and turned the radio up,” he recalls. “The music sounded so good. This is meant to be one of those songs that makes you crank the volume and have some fun. In light of difficult times when you’re dealing with depression or challenges, sometimes you’ve got to go out and do some shit that seems a little crazy.” Then, there’s “A Little More Time.” The stomping groove gives way to another anthemic refrain as he pleads, “Come on baby won’t you give me just a little more time.” “On the day Tom Petty died, I was really sad,” he admits. “I’ve always been astounded by how good he was— from the time I discovered him at 15 until now. This is my little nod to Tom and The Heartbreakers for what they gave me.” On “I’m A Mess,” he examines the two lives of a career musician. “I’ve done this for 35 years,” he says. “As you get older, you start a family. When you’re on the traveling circus, you feel really disconnected from your life at home. You’re a mess without the other half of your life.” “Anyone But You” unfolds as a poignant love song over dreamy piano. Meanwhile, the title track “4 The Last Time” captures the breaking point of a relationship through an emotionally charged vocal originally popularized through an early incarnation of the tune on The Ranch. “It’s about the despair you go through when a relationship is dying and you can’t save it,” he continues. “It’s a tough and painful place to be. When ‘4 The Last Time’ was on The Ranch, I got so many messages asking for a full version. I thought the title might get everyone talking since we’ve been around for so long. Is this the last time? It’s a topic of conversation when you mention the history of the band.” The opener “Loved” importantly doubles as a mission statement. With its robust guitars and wild solo, it culminates on a promise to his kids, “You’re gonna know you were loved.” “It wasn’t until later I found out my mom sent me to the ER when I was two-years-old for getting fingerprints on the dining room table,” he sighs. “I was just surviving as a kid. I have children, and I want them to know how much I love them and how much they mean to me. I didn’t get that from my parents. It’s a message to my kids that I’m going to make sure they know how important they are.” In the end, BoDeans make an impact through such honesty. “For the next year, I’m going to be showing up in towns everywhere and trying to bring people together a little more,” he leaves off. “Come to a BoDeans gig, sing along, and forget about everything else. That’s why I play nowadays. I’d like to keep pushing that message as long as I can.
Marques Morel is an American songwriter/folksinger, guitar-strummer/harmonica wailer, Street-performer/wandering troubadour, itinerant woodcutter/migrant worker, and a friend to all. Originally from the Illinois corn country, Marques has performed everywhere from big city street corners around the world, to county fairs and festivals, to taverns and theaters, sharing the stage with artists such as Charlie Parr, Arlo McKinley, The Hooten Hallers, and Dead Horses, to name a few. Known for his intense and infectious energy on stage and his gritty and honest songwriting and delivery, Marques Morel has been described by his fans as “raw and rustic,” “guts on the floor,” and “wild and happy and dark and sad.” He will be found performing either as a one man show accompanied only by his old guitar, harmonica on the rack, and makeshift kick drum, or with his dynamically spirited band, The Midnight Wind.“Powerful earth mama builds bridges of friendship around the world, celebrating life with guitar, ukulele and rockin’ healing songs. “Award-winning songwriter, Folkgoddess Diane Patterson subverts the dominant paradigm with rocking acoustic guitar and ukulele, a mighty pen, and a woman's voice.
Since 1989, Patterson weaves her original Mystic Acoustic Americana music and unifying stories, planting seeds of love and revolution. Diane’s latest CD, Open Road, was recorded with platinum record-producer Mike Napolitano and features supporting vocals and instrumentation by the incomparable Ani DiFranco. In summer 2019 Diane opened 9 shows across the Midwest of the United States for punk-folk legend, Ani DiFranco, and then played a 20-show tour of Germany, Denmark and Sweden.
Diane tours winters in Hawaii and summers in Europe and Scandinavia, and her favorite gigs are intimate house concerts. She began her musical journey playing guitar in church as a kid. And then in her college years, she played bass for a blues duo and co-fronted a world music band. Diane’s currently working on a new cd to release in Fall 2021.
Folkgoddess Diane Patterson sings the world awake with powerful voice, rocking guitar, sweet ukulele, and revolutionary lyrics.
Her sincere spirit and wild heart joyfully plant seeds of love and realness.
She’s fueled by music-as-activism and love-as-revolution.
Since 1989, wordsmith Patterson weaves spirit and unifying stories, now around the world, on festival stages, at folk music venues and house concerts. She began performing open mics in her college town, played one season on electric bass for the excellent Sacramento, California-based Blues Duo, and then co-fronted a reggae- and latin-inspired band in Davis called The Heat from 1989-1991.
Based in Northern California, independent and supported by her community, Diane’s musical background spans ‘church’, blues, and world music. In 1993 she started the award-winning Diane Patterson Sextet with Joe Kojima Gray, Dave Theno, Jan Peters and two percussionists, Warren Jones and Rita Hosking . . . yes, THE Rita Hosking! Following The Sextet have been 20 years of solo, duo, and trio work, often with the amazing Al Torre on guitar.
“Joni Mitchell meets Ani DiFranco. Patterson is a modern day folk goddess.”
“Diane is a young Pete Seeger.” —Percussionist & Composer, Geoffrey Gordon
“FANTASTIC. Diane, you are a great musician.” — Paul Emery Music, Nevada City, Ca. Oct. 2015
“Diane is an amazing songwriter and a world healer.” — Bill Brickey, Chicago musician and producer